Artworks, artifacts and archives have the power not only to give a story life, but to encourage action and incite change. That’s why the Google Cultural Institute is excited to add records from institutions like the Smithsonian National Museum of African American History and Culture, the Studio Museum and Amistad Research Center and many more—bringing together important archives from Black history for anyone to access not only during Black History Month, but throughout the year.
From the New Orleans Jazz Orchestra to the historical records of Frederick Douglass and Dr. Martin Luther King Jr., this collection includes 26 new institutions (50 overall) contributing 5,000+ items and more than 80 curated exhibits. It includes new Street View imagery and three Google Expeditions, including an exploration of the resurgence of Jazz in New Orleans with Irvin Mayfield and Soledad O’Brien.
In The Baltimore Museum of Art’s exhibition “Questioning the Canon,” you can see Mickalene Thomas’s Le déjeuner sur l'herbe: Les Trois Femmes Noires and compare it side-by-side with the Manet original to see the ways Thomas has subverted the subject-matter of this canonical white European work.
You can trace along the paths of history by reading Frederick Douglass’ letter to his former master, and read the original manuscripts of Dr. King’s ”I Have a Dream” and “I’ve Been to the Mountaintop” speeches. Absorb Dr. King’s personal letter to wife Coretta Scott King at the beginning of his four-month prison term for non-violent protest, then cut to photographs documenting his momentous first handshake at the White House with President Lyndon B. Johnson.
Collecting these works into one place provides unprecedented access to a vital part of history that is too often forgotten. By comparing works of art and texts of speeches to find commonalities and distinctions, we can also build on the past to inspire ourselves and others. And while today is the first day of Black History Month, the work of remembering our history is necessary year round—which is why these records will be there on the Cultural Institute for generations to come.