We’ve invited Paolo Baratta, President of La Biennale di Venezia, to share his thoughts.
***Our collaboration with Google started a few months ago, when la Biennale shared an overview of La Biennale Arte 1999 curated by Harald Szeemann on the Google Cultural Institute website. That edition of La Biennale was the first to use the spaces of the Arsenale, a historic area of Venice, which in turn gave grounds to the development of the two dimensions of the exhibit: one entrusted to the Curator nominated by La Biennale, and the other formed by the National Pavilions.
Today, after that experiment, we continue the collaboration with Google, bringing online a selection of artworks and pavilions from Biennale Arte 2015, All The World’s Futures, curated by Okwui Enwezor.
La Biennale has a specific role: to research and share the understanding of contemporary art. Access to the results of our research is achieved, for the most part, through our exhibitions, so encouraging access is certainly our key responsibility. Committing to new technologies that can facilitate the sharing of our work in art and architecture, and also in music and cinema, with a wider audience is therefore fundamental to our mission.
This collaboration with Google is the first, and a very important experiment, which I believe can be developed further in the future in a variety of possible if yet still unknown ways. We’ll do our best!
Combining these digital tools with a stronger editorial ability, our goal is to enhance the experience for our audience and to better the document the exhibit.
The bet we’re placing on new technology is most definitely not one that replaces the direct experience with a virtual or indirect one, but, on the contrary, one where virtual viewing is used to help enhance the in-person experience.
Posted by Paolo Baratta, President of la Biennale di Venezia